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Soltanoff/Findlay Project |
The Soltanoff/Findlay Project at The Center Theatre Group in Los Angeles
Los Angeles Times: CTG receives $1-million grant for experimental productions.
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MORE OR LESS INFINITY
Is the third part of a trilogy about space and the second collaboration
between Phil Soltanoff and CIE 111. The subject of MORE OR LESS INFINITY is the line. It premiered at Vidy Theatre in Lausanne, Switzerland in
late September 2005. It has performed throughout Europe including Kampnagel, BITEF, Theatre de la Ville, TNT and Pina Bausch's NRW International Dance Festival in Dusseldorf.
For more information: contact@CIE111.com. |
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The 12nineteen Library
The subject of the 12nineteen Library is one minute of time. All information presented in the installation is a result of the observation of one minute, from 12:19 to 12:20 PM. The observers are global. Their submissions are in the form of audio recordings, photographs, written descriptions and video files collected over the internet and then exhibited in the museum space. The massive accumulation of these observations allows visitors to the installation to engage the infinity of human experience captured in these minute long observations. The 12nineteen Library was first presented at The Austin Museum of Art in association with Fusebox Festival, April 2009. The exhibition will continue to grow and accumulate 12:19 information at each museum or gallery where it is installed.
2009 Austin Critics Table Award. |
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Lemnation, 2004
In an overcrowded Central American city, an adventurer is accidentally exposed to an unusual chemical and awakens in an experimental hospital somewhere in the future. From that moment on, he can’t distinguish between the real and the virtual. This is Lemnation |
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wrench,
2002
A site-specific work staged at an abandoned gas station
in Williamstown, MA. |
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Experimental
Actions, 2001
A site specific work staged in and around the courtyard of Mass MoCA |
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Strange
Attractors, 2000
An original theatre work created at Mass MoCA and premiered at five myles. |
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The Hour We Knew
Nothing of Each Other, by Peter Handke, 1999
A new staging of Peter Handke’s wordless play, staged at The Williamstown
Theatre Festival and remounted at five myles. |
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five movements
for people and sound, 1998
A site-specific staging in the buildings and courtyards of Williams College. |
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TIME/PIECE,
1997
A site-specific work staged at The Williamstown Theatre Festival
and based on
a chapter from Allain Robbe-Grillet’s novel Recollections of the Golden
Triangle. |
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to whom it may
concern, 1996
A personal response to John Cage’s Silence. Originally staged at The Williamstown
Theatre Festival, it was remounted in a vacant office building in lower Manhattan
and featured in The Belgrade International Theatre Festival in 1997 |